No he de ser tu esclavo, madre Natura. Nunca hemos creado realidades propias, como ella lo hace o lo hizo en tiempos pasados, cuando era joven y llena de impulsos creadores. Non serviam. Ya nos escapamos de tu trampa. Una nueva era comienza.
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Los verdaderos poemas son incendios. True poems are fires. Poetry propagates everywhere, illuminating its consummations with shudders of pleasure or agony. Altazor is a cosmic poem that achieves the sublime. It leaves me with the conviction that Vincente Huidobro was one of the great modernist poets of the 20th century; his work should be shelved among the likes of T.
Eliot, Ezra Los verdaderos poemas son incendios. Eliot, Ezra Pound, and E. E Cummings. Language breaks down as he plummets; atmospheric entry leads to a gradual disintegration of semantic meaning.
The Preface, Canto I, II, and III are the most sensical parts of the poem, imbued with a divine imagery—celestial verse traversed by stars, planets, comets, and heavenly bodies in orbit. I felt real wonder reading this poem. The language thrummed, as if the words were plucking a string somewhere inside me.
Dadme el infinito como una flor para mis manos What have you done with my voice laden with birds at dusk The voice that aches like blood? How can I sleep while there are unknown lands within me? And your petrified screams drip stalactites Who are you, dweller of this miniscule stellar cadaver? What is your nausea of infinity and your ambition of eternity? Atom banished from itself with doors and windows of mourning Where do you come from, where do you go?
At least in the English-speaking world, perhaps this is due to the problems of translation. The amount of wordplay in the latter cantos means translation by equivalency seems the most viable option, but an unsatisfying one. A poem is a thing that will be. A poem is a thing that never is, but should be. A poem is a thing that never was, that can never be.
Altazor de Vicente Huidobro
Descargar el libro Altazor
ALTAZOR;TEMBLOR DE CIELO (6ª ED.)